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Free PDF Ella y yo: Notas de paso en el Tres Cubano-Passing notes on the Tres Cubano (Music Scores for Tres Cubano) (Volume 2)By Renesito Avich
Free PDF Ella y yo: Notas de paso en el Tres Cubano-Passing notes on the Tres Cubano (Music Scores for Tres Cubano) (Volume 2)By Renesito Avich
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Ella y yo: Notas de paso en el Tres Cubano-Passing notes on the Tres Cubano (Music Scores for Tres Cubano) (Volume 2)By Renesito Avich
Free PDF Ella y yo: Notas de paso en el Tres Cubano-Passing notes on the Tres Cubano (Music Scores for Tres Cubano) (Volume 2)By Renesito Avich
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Este material tiene el propósito de mostrarles los caminos que encontré para hacer la versión del precioso tema “Ella y yo”, el cual forma parte del repertorio de la Trova Tradicional de Cuba y esta está compuesto por el trovador Oscar Hernández. This material is intended to show you the diverse ways I’ve found to make my own version of the beautiful Cuban song "Ella y yo" (Me and Her). This song is part of the repertoire of the Traditional Trove of Cuba and it was written by the troubadour Oscar Hernandez. En estas partituras podrán encontrar algunos de los patrones más utilizados por la guitarra y el Tres Cubano, los cuales resultan de vital importancia para interpretar este estilo musical correctamente. In these scores you may find some of the most recurrent patterns used by the guitar and the Cuban Tres (Tres Cubano), which are vital to the correctly interpret this musical style. Renesito Avich
- Sales Rank: #1915978 in Books
- Published on: 2015-03-11
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .6" w x 8.50" l, .24 pounds
- Binding: Paperback
- 24 pages
About the Author
René Avich Wanton, new exponent of the Tres guitar in Cuba. Winner of several national competitions: Festival Contest “Ignacio Piñeiro”, “Cubadisco Award 2011, “Competition Ignacio Villa AHS” 2013. Gold Title of the University of the Arts of Havana, Cuba. Cubadisco 2014 Award with the production “Jóvenes Treseros de Cuba” (Young Tres players of Cuba) The creative work of Renesito, who was born in Santiago de Cuba, fully exploits the physiognomic possibilities and techniques of the instrument with a brilliant concept of interpretative excellence. His compositions denote a broad conception of the sound of the Cuban Tres, in which he uses expressive resources of Classical music, Jazz and World Music. Its roots lead him to recreate and develop melodies, and rhythms of the Trova, the Changüí, Nengón, the Conga, Rumba and Son Santiaguero, making a kind of journey through the different playing styles of the eastern country, mixed with the urban concept of Arsenio Rodríguez and Child Rivera.
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